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Star Trek (2009)
MPAA Rating: PG-13 for sci-fi action and violence, and brief sexual content.
Runtime: 126 mins.
Director: J.J. Abrams
Writer: Roberto Orci & Alex Kurtzman
Cast: Chris Pine; Zachary Quinto; Leonard Nimoy; Eric Bana ... complete cast
Tagline: Star Trek.
Genre: Action | Adventure | Sci-Fi
Memorable Quote: "Your father was captain of a starship for twelve minutes. He saved 800 lives, including yours. I dare you to do better. Enlist in Starfleet. " ... more quotes
Release Date: May 8, 2009
DVD Release Date: Not yet on DVD
Distributor: Paramount Pictures
Official Site: www.startrekmovie.com
View the Trailer: www.apple.com/trailers/paramount/startrek

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| Reel commentary: ... Star Trek is, once again, beautiful in its bravado and poetic with a sense of purpose. J.J. Abrams has given the sci-fi geeks their nirvana and invites all the doubters to witness the birth of their own interest into a franchise they once only joked about. |
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By Loron Hays
Words cannot even begin to express to you, the faithful readers of Reel Reviews, the gratitude that I feel toward J.J. Abrams; no amount of groveling at his feet or pledging my undying support of whatever project he puts his name to could ever be enough to communicate just how thankful I am to him for this year’s wait for it movie event of the summer. Ladies and gentlemen, J.J. Abrams has assembled (and designed and, yet again, re-designed) a phenomenal thrill ride through space in this reboot of the Star Trek franchise; it’s massively epic in scope, it is explosive both in storyline and in its visual effects, and it is perfectly cast with actors not afraid to be their own character despite playing characters made famous by other actors. This Star Trek, while keeping the same spirit of the Gene Roddenberry years, soars above anything accomplished in the realm of Science Fiction since his passing.
Throw out all that you think you know about the Star Trek universe because screenwriters Robert Orci and Alex Kurtzman have loaded their script with a few surprises. Basically, the history of the Trek Universe gets a facelift; every movie and series has pretty much - been rendered as negotiable (or subject to happen in a slightly different manner) by the events in the first few minutes of the film. Yes, Orci and Kurtzman are playing with fire here, but their gamble pays off. A Romulan mining ship appears from the future and immediately attacks the U.S.S. Kelvin. The bitterly betrayed Captain Nero, effectively captured in a non-Shakespearean manner for a Trek villain by Eric Bana, has led his mining ship into the future seeking revenge for the destruction of the planet Romulus. His ship attacks the Kelvin and, once the Kelvin has been effectively silenced, Nero demands to speak with an Ambassador Spock. It is quickly understood by Nero’s crew that he is 25 years too soon for the revenge he seeks upon Spock. Instead, he must wait in deep space in total silence - for Spock to appear (or reappear as it were) and for his revenge to be enacted; what and why he seeks it is revealed mid-way through the film.
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All images copyright © 2009 Paramount Pictures
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What events transpire due to the attack on the Kelvin will not be revealed in this review, but know this simple fact: everything known about the history of the Trek timeline goes up in smoke or is rearranged because of the appearance of Nero’s mining vessel. That is to say, that the screenwriters and even director J.J. Abrams are working with a tabula rasa (or a blank slate) self (and maybe selfishly) created by following Trek’s own rules of time travel. That’s right, folks, in classic Trek fashion we have just entered into an alternate reality which can never be set straight again. Sound too complex for a summer film? Too much of a strain for the old noggin? Relax, you can still eat your popcorn and follow the film’s storyline, besides this film has plenty of heart and brawn behind its brain, too. Arguably, with a film this strong in action and character development, you will not grumble with the logic behind such a smartly devious story. It’s as if the screenwriters were bracing for the emails of complaint that would (and did) follow news of a reboot of the classic era of Star Trek, so decided to justify their own screenplay by using Trek’s own rules with which to set it off with something even the most dedicated fanboys would think twice about before arguing against. But those same fans who complained about the idea of rebooting the classic Trek years all but two years ago are going to absolutely love this movie. It’s that good.
Abrams has done the once-thought impossible here: there is a new cast playing the beloved characters we all know and love. We get to see Kirk, Spock, Bones, Uhura, Sulu, Chekov, and Scotty again. Hell, we even get to see Captain Pike, played solidly by Bruce Greenwood, sans wheelchair. It’s impressively ambitious and it incredibly works well on every single level. And, as an added bonus, we get to witness just how these characters met and how they became associated with the personalities now used in psychological evaluations. As mentioned earlier, Trekkies and Trekkers alike rebelled at this very idea of a reboot; they gnashed their teeth and wrote letters of protest. There were doubts. There were concerns. There were jokes about this movie being something akin to Trek 90210 or, as a friend once put it, Dawson’s Trek. And, after the knee-jerk reactions to the Star Wars prequels, no one could blame them. But somehow rising above all the droll and naysayers Abrams flexes his directing knowhow and casts this film perfectly. Allow me to repeat that: perfectly. Chris Pine’s version of James T. Kirk is as reckless and as lustfully arrogant (think Han Solo injected with a high testosterone serum) we always suspected a young Kirk to be, but it isn’t until the end of the film when Kirk dons the yellow Captain’s shirt when the true Kirk (from the original series) is fully realized and it is a jaw-dropping moment of déjà vu in Trek history if ever there was one.
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All images copyright © 2009 Paramount Pictures
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Communications Officer Nyota Uhura, adoringly captured by actress Zoe Saldana, has a meatier role than ever suggested by the original series and becomes an interesting thread between Kirk and Zachary Quinto’s Spock, a fully fleshed-out role for the young actor (who also gets the challenge of acting in front of the character’s originator, Leonard Nimoy, in one sequence). Uhura’s presence on the deck of the U.S.S. Enterprise makes for a surprising twist of events for the two leads to tangle over one, clumsily in his confidence, while the other is as smooth as silk. Some Star Trek purists will be put off by this slight PDA surprise (no spoilers here, folks) while others will acknowledge, because of the presence of Nero’s ship and the sudden unpredictability of all future Trek events depicted in the classic series, that this chain of events is perfectly…ahem..fascinating and logical.
Some fans have argued over the role of Hikaru Sulu going to John Cho (previously of Harold & Kumar fame), but it works and it works well; check out the space jump scene and the ensuing fight on the drill if you need more proof of his Sulu-type abilities. Pavel Chekov, played by Anton Yelchin, is finally realized on camera for the youngster he was originally conceived as and humorously saves the day in a memorable sequence involving the transporter. Montgomery Scott or “Scotty” is realized and accented by Simon Pegg, from Hot Fuzz and Shawn of the Dead, and is thrust into the midst of the action as his introduction happens halfway through the film, but Pegg’s timing and classic Trek phrasing is impeccable and adds to the whole jovial affair. But it is Karl Urban’s take on Dr. Leonard “Bones” McCoy (originated by the late DeForest Kelley) that deserves special notice by fans. Once on-screen, there is no doubt as to why he was the perfect casting for this role. His acting especially alongside Pine’s Kirk - is impeccable and his phrasing hits every note perfectly. Quite simply, it would make Kelley proud.
The action of the film is quick and full of tense danger; it is a grand spectacle of deftly intense space battles shown at a level only hinted at in previous Trek flicks and full of adventurous locales as well. The aliens are strange and, at times, everywhere; the hand-to-hand fights are intense and recall classic moments in Trek lore. Ultimately, Star Trek is what the Star Wars prequels should have been had there been any serious thought behind Lucas’ glossy but eerily disconnected visuals and trite storyline. There is a great energy at work in Star Trek almost as if the film is daring you not to like it; it’s a monumental energy not witnessed in a film of this nature since Speilberg’s Raiders of the Lost Ark. And in that energy, there is a love and a respect coming from behind the camera, courtesy of J.J. Abrams, for a franchise that dithered and finally sank into a dark and cosmic abyss nearly 12 years ago.
Star Trek is, once again, beautiful in its bravado and poetic with a sense of purpose. J.J. Abrams has given the sci-fi geeks their nirvana and invites all the doubters to witness the birth of their own interest into a franchise they once only joked about. The film is a constant charmer. There are heroic moments that are bombastic in idea and yet, handled with humor making it a frighteningly good experience; better than any expectation you might have had for the film. And, to quote one of my friends as he excitedly exited our screening of the film, “now, that is why you go to the movies!” Amen to that.
Thank you, Mr. Abrams. I know it’s not enough it could never be enough but thank you for making Star Trek bold again.
Loron Hays

Comments
Frank Says:
May 7, 2009 at 10:54
More Star Trek quotes:
"James T. Kirk was a great man... but that was another life."
"We are traveling at warp speed. How did you manage to beam aboard the ship? "
"As acting Captain of this vessel, I order you to answer the question."
"I'm a doctor, not a physicist! "
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Melnick Says:
May 8, 2009 at 09:24
I think you're mostly right on this. Great movie! The one thinkg people are forgetting (and it's also one of the film's few negatives) is that the original Star Trek series always involved some type of greater-than-life philosophy, or explored some life-affirming concepts. This version didn't seem to do that.
Another thing that always struck me about the original Star Trekseries was that it got some of its magic from the make-up of the crew. A multi-racial, multi-ethnic crew was always something that represented hope, dreams and imagination of the unattainable. Now that our world is more accepting and tolerant, and racial barriers are not as evident, that sense of reaching for the unattainable is no longer there.
All in all though a great reboot of the franchise.
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Cara Michaels Says:
May 8, 2009 at 11:18
My first Star Trek experience was getting dragged to The Voyage Home with my mother and stepfather. I whined a little (hey, I was 11). I knew nothing about these characters, and it clearly said it was the fourth movie. I didn t want to be totally lost. I was overruled, of course, and I went. Been a Trek fan ever since.
Two words come immediately to mind after my Star Trek IMAX experience last night.
Go.
Now.
It s official. Star Trek has been reinvented and reinvigorated. This may be what Trek should have always been. Go in with an open mind, and be prepared to have your beloved Trek history tweaked a bit. Not in an arbitrary, well that s how we want it way, but as an integral part of the storyline.
From the word go , JJ Abrams does not let you take much of a breather. I can t remember the last time a Trek movie made me jump in my seat, but there were several times last night (and one time when I buried my head against David s shoulder, eek!).
Casting: A
Even though I was fully prepared to loathe these new imposters taking over roles I grew up with, instead I found myself thoroughly charmed by Chris Pine s roguish Kirk and Zachary Quinto s half-breed Spock. I don t remember much of what (if any) struggles Spock went through with his half-human heritage in the original series and movies, but in this film, Spock s emotions seem much closer to the surface. And that s a welcome change. The rest of the classic crew plays much smaller roles, but they are still fun. In some instances, Karl Urban seemed at times to be trying to channel a bit too much DeForest Kelly into his Bones, but overall the entire cast is great. Eric Bana as main baddie Nero, is unrecognizable and superb in a role that doesn t quite give him enough screen time. Zoe Saldana (Uhura), Simon Pegg (Scotty), John Cho (Sulu), and Anton Yelchin (Chekov) have minimal screen time in comparison to Pine and Quinto, but they inject plenty of life into their characters.
Action and Visuals: A
Wow. This movie is simply breathtaking. Explosions, mass destruction, sword fights, chases, warps, singularities, phaser battles, good ol fashioned brawling. If you ve seen the previews, you ve seen Kirk and Sulu sky-diving; I won t give you all the details, but as one person whispered in our theatre, Talk about a HALO. That s a High-Altitude, Low-Open (of the chute) jump for those not familiar with the lingo. In true Trek fashion, Kirk gets his butt handed to him on a regular basis (those poor Trek captains are always getting beat up), and gets to have a fun (and funny) romp with a lovely, green-skinned cadet. And whatever else is going on, you can t forget the ships. Warp drive packs a punch, and there are places in the Enterprise that you have never seen before. Visually speaking, the only irritations to me were the continual (and sometimes inexplicable) lens flares that were in nearly every scene. It s a minor complaint, and one I can live with.
Costuming: B+
This category is dinged mostly because of the cadet uniforms. They are stunningly bulky and ugly. The officers uniforms give a nod to the classic series with mini-dresses and boots for the ladies, and pullovers for the men. The classic Trek colors of gold, red, and blue look fantastic.
Storyline: A
If you want to revitalize a classic concept, this is the way to do it. The Kirk and Spock storylines are superb, as are a romantic subplot, and the myriad threads that bring the Enterprise s crew together. The tech talk is kept to a minimum, which definitely helps to keep the plot moving. Leonard Nimoy s cameo as an elderly Spock, while welcome, comes across as something of a deus ex machina, including the passing on of a formula that s commonly known in the elder Spock s future (not unlike the transparent aluminum formula that s introduced in The Voyage Home) but has not yet been developed. Without him, the story would quite literally go nowhere without a major rewrite. On the flip side of that, elder Spock s appearance is necessary to this new and vital Trek universe, and sets events in motion that leave the horizon alight with possibilities.
Overall Review:
There are plenty of references to classic lines and moments to keep longtime Trek fans smiling. Newbies to the concept will find plenty to draw them in and keep them there. As I understand it, this is the first in a three-picture deal, so we can all look forward to more in the future.
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Trek Fan a Long time Says:
May 11, 2009 at 07:03
It could have been an excellent movie, but the out of character, in your face, slobbering over LT Uhura by Kirk and Spock was over the top. It was injected throughout the movie as if just to check the racial quota block even though it did not fit well with the story line; Hollywood always seems to run their same agenda of blacks pursuing whites or visa-versa; pushing mixed marriages and political correctness in almost every movie versus equally representing the population of the USA equally. I for one have not been to a movie for quite some time because of these very reasons and am now no longer a Star Trek fan and will never again pay to see a movie again. Period.
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Frank Says:
May 16, 2009 at 13:03
Trek Fan a Long Time, let me get this straight. You didn't care for the movie because you don't think people should date outside their own race? You must not actually be a long time Star Trek fan but rather, a long time racist. If you were really a long time fan, you would know and understand that a multi-racial crew was one of the trademarks of the series. It represented a hope for a future where racial differences weren't a concern. Obviously that concept was lost on you. Also, why do you think that "whites and blacks" dating in movies is pushing an agenda? You might have a point if there were no such activities taking place in real life. Open you eyes. Might you be harboring some racist thoughts?
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This title not yet on DVD.

| Chris Pine |
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James T. Kirk |
| Zachary Quinto |
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Spock |
| Leonard Nimoy |
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Spock Prime |
| Eric Bana |
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Nero |
| Bruce Greenwood |
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Capt. Christopher Pike |
| Karl Urban |
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Dr. Leonard 'Bones' McCoy |
| Zoe Saldana |
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Nyota Uhura |
| Simon Pegg |
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Scotty |
| John Cho |
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Hikaru Sulu |
| Anton Yelchin |
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Pavel Chekov |
| Ben Cross |
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Sarek |
| Winona Ryder |
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Amanda Grayson |
| Chris Hemsworth |
... |
George Kirk |
| Jennifer Morrison |
... |
Winona Kirk |
| Rachel Nichols |
... |
Gaila |

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